some people think that museums and art galleries should concentrate on the history and art of their own country rather than the works of art of other parts of the world. To what extent do you agree or disagree with this opinion?

One of the widely discussed issues nowadays is that an increasing number of people consider that local

profession

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galleries and museums should be focused on containing the national

craft

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heritage of a bucolic rather than keeping foreign

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works of other countries. Personally, I tend to consider that

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point of view is well grounded,

h

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owever we

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however, we

should not ignore the fact that

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rofession works

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the profession works

of other countries can provide the atmosphere of that bucolic.

First

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and foremost, it is well known that every gallery has a various kind of local

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works and

also

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foreign works. One of the main reasons behind that the local art works illustrate the

history

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of c

ountry.

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the country

a country

Correspondingly, foreign art works personify the

history

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of other parts of the world at the same time. A good case in point is the museum of “Kuns camera” is well known not only for keeping the national art works, but

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lso

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this building is also

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building is provided w

ith

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by

the

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works of other counties

such

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as pictures of Leonardo da Vinci and so on.

On the other hand

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, it can

also

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be argued that some people are passionate about exploring only the

history

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of their country.

That is

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to say they are fascinated by their own past rather than being really into other countries’

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works. Taking the museum of Tamerlan as an example,

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gallery illustrates only the

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of Uzbekistan and the

history

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of great warlord Tamerlan. Overall, taking everything mentioned into account in our final analysis, we can come to a conclusion that

although

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museums keep all the

craft

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works of the country, we should not neglect the works of other counties, which can provide the atmosphere of the culture of the past.